Well, to start, let me admit that I not a Monty Python
follower. I have “accidentally” seen a few
scenes from some of their movies and
skits but have never actively sought them out. Men seem to be disproportionately
attracted to Monty Python humor. All my ex-boyfriends and now my husband and
son are big fans. My daughter and I… we could take it or leave it. Yes, I’m
definitely more the historical novel type than historical (hysterical?) farce
type.
Anyhoo, it is still with some enthusiasm that I made my way
to the Grail Theatre at Wynn Las Vegas for my very first Spamalot performance.
Not having seen the productions in other cities, I won’t be able to tell you
how this one compares. But we do know that the Las Vegas show has been cut down to 90
minutes and has no intermission. It goes without saying that the Vegas hotels want
their guests in the casino, not in the theatre.
Like all good Las
Vegas theatre venues, the Grail Theatre’s lobby has
been planned to “get you in the mood” of the event before you are even seated.
This one does it quite successfully with various collages and vintage images (yes,
we can call them vintage at 35+ years) of Monty Python characters. I enjoyed
the humorous interpretations of
historical artifacts that line the walk to the
theatre. I wasn’t the only one taking photos (see the "Knight Mare" and the "Trophy Wife" at left). This was entertaining from the
get-go. The bar, called the Snack-a-Lot, runs with the theme and you can buy
giant drinks in Holy Grail goblets. Themed souvenir glasses, that’s just so ... Las Vegas.
We find our seats. The live orchestra is practicing. Love a
live orchestra. That’s always a good sign that a production is taking itself
seriously… Not sure if seriously is the right adjective here, but you get the
gist.
And so, the parody begins, with plenty of puns and song and
dance. And our analysis begins as well: how much of this show will be exactly
like the movie? I’m happy to report that, contrary to all advertising (see the
show’s own promotional blurb), not all of the show was ripped off from the Monty
Python and the Holy Grail movie. In fact, a large portion of the show was
different. For one, this show is a musical. And there are many other new scenes
and new concepts in “character development”. For instance, we find out that
Lancelot is gay and breaks out in this wonderful Carmen Miranda type routine.
Loved it. I also loved the Fiddler on the Roof spoof and the ridicule of the
French soldiers.
I usually don't enjoy slapstick and easy,obvious humor, but I found
myself – gasp – laughing out loud on several occasions. I guess that the
cleverness of the humor is why Monty Python endures so well. No one is immune
to their mockery and that’s what makes it perfectly acceptable. It’s the
universal put down.
Aside from the obligatory “What Happens in Vegas, Stays in
Vegas” reference, this production was a delight. Great performers, dancers,
sets and costumes that are supporting great material.
I would highly recommend it, wherever you might find
yourself. Not knowing any better, I was quite pleased with the Las Vegas version!